Star Wars: Visions Presents – The Ninth Jedi may not be the Star Wars TV show you were looking for, but after having watched its entire first season, I can confidently say it’s something the franchise desperately needed.
With several new Star Wars movies on the horizon without a cohesive plan in sight and a surprising lack of new live-action Disney+ series beyond Ahsoka Season 2, it seems like the galaxy far, far away’s future looks brighter in animation.
Shows like The Bad Batch and Maul – Shadow Lord have proven there’s room for more tonal experiments and expansions of the canon canvas, yet it’s the Legends-like Star Wars: Visions formula that’s produced the most striking tales starring Jedi, Sith, Rebels, and whatnot in years.
After a second short released as part of last year’s Star Wars: Visions Vol. 3, Production I.G’s The Ninth Jedi has evolved into an eight-episode anime series that’s far outside what we’ve come to expect from the canon Star Wars timeline.
And yet, the traditional nature of its story and setting showcases what an icon Star Wars could be for younger generations if it looked forward more often than backward.
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A well-calculated evolution
Back in 2021, The Ninth Jedi became a fan-favorite what-if Star Wars scenario with a first short (which you can watch for free on YouTube right now) set generations after the disappearance of the Jedi Order. It’s a familiar setup, but crucially, one that doesn’t invoke the Skywalker family name, the Republic, or the Empire.
At the same time, the show’s approach to the Force, the Jedi, and the Sith doesn’t collide with what we’ve already seen. It almost feels like a canon Star Wars story that’s just set centuries into the galaxy’s future. Even the visuals, which evoke an old-fashioned style as possible — despite some jarring bits of CG imagery — use the same language Lucasfilm veterans like Doug Chiang have developed over the decades.
The Ninth Jedi sticks to the few rules established by the two previous shorts, but also dreams slightly bigger to paint a richer canvas that doesn’t always feel like a genuine part of George Lucas’ original universe, which is almost necessary at this point to avoid stagnation.
There will no doubt be back-and-forth conversation about its place within the franchise, but such chatter is less interesting than dissecting what it means for how Disney and Lucasfilm approach the property moving forward.
Honoring the recent past
Interestingly, The Ninth Jedi borrows quite a lot from modern Star Wars entries the loud online types called unmitigated disasters: namely The Last Jedi and The Acolyte.
Lah Kara feels like the direct result of Rey’s impact on a new generation of creatives and fans, and Lah Zhima – Kara’s father – quickly goes from a missing sabersmith to a far more complex Jedi figure that lands close to Luke Skywalker’s divisive role in Episode VIII. General Nawaam — the main villain — also makes for a memorable character that has more Kylo Ren (or The Stranger) than Darth Vader in them.
The nature of lightsaber-wielding warriors like the Jedi and Sith — both ancient concepts to the galaxy’s common people — is also questioned. These are religions that, at least in their original shape, have gone extinct for a good reason.
While Kara and Jedi Knights like Margrave Juro — essentially the Obi-Wan Kenobi of this story — and Ethan fight to bring back the Order from the brink of extinction (again), it becomes evident there’s no path forward for the guardians of peace and justice without some introspection. These shades of grey only deepen when lightsabers start to change colors, and unlikely heroes rise.
Over the course of this eight-episode season (with more teased but not confirmed), the Production I.G anime veterans Shunsuke Tada (director), Mitsuyasu Sakai (writer), and Kenji Kamiyama (supervising director) make a strong effort to bridge Star Wars’ past and present, even if there was no real need to respect what had come before. The Ninth Jedi is its own thing, but not really.
It may be limiting for the Visions experiment — as many fans favor bolder swings as stylish and disruptive as The Duel — but ironically, that makes it a valuable endeavor for Lucasfilm as they navigate an uncertain future trying to conquer the big screen once again. How much classical Star Wars do we need in future projects? This show gives a very reasonable answer.
Star Wars for a new generation, even if the bones are old
Veteran Star Wars fans need to remember newcomers don’t care about canon outside of stories meant to be connected. Instead, they’re looking for captivating tales starring new characters who are fun to spend time with, and on that front, the first of the Star Wars: Visions shows (more are rumored to be in the works) is a resounding success.
On a surface level, there are enough new planets, spaceships, alien species, and factions in The Ninth Jedi to fuel an entire trilogy of movies, yet it’s all put to good use over the course of eight breezy episodes which tell a complete story, just in case Season 2 isn’t a possibility.
Thematically, it’s also among the richest explorations of the Force, the Jedi, and a cycle of conflicts sparked by the need for more Star Wars forever and ever. Even if corporate needs are the main reason why creatives are still getting to tell stories set in a galaxy far, far away, the meta conversation found in these tales might help refresh and save Star Wars. Beyond that, it shows that Rian Johnson and Leslye Headland had the right idea, even if they didn’t nail the execution.
Those who have been around for decades will spot and appreciate the tradition holding this all together, but even with a Death Star-like threat and reheated plot beats peppered throughout the journey, The Ninth Jedi has the pulse and patience to build new legends that deserve a moment in the spotlight.
The galaxy Kara is fighting for might look a little different from the one we know, but this is the most Star Wars-feeling Star Wars entry in quite some time.
Star Wars: Visions Presents – The Ninth Jedi (full season) is now available to stream on Disney+ following its premiere on Aug. 5, 2026.
