Maxim Kashin Architects has developed a series of art installations for ASKO that reinterpret early 20th-century avant-garde principles, particularly the geometric abstraction found in Kazimir Malevich’s Suprematist works.

By translating two-dimensional artistic concepts into three-dimensional forms, Maxim Kashin Architects explores themes of infinity, cosmic vastness, and the essence of objects beyond their physical appearance. The installations employ stark white surfaces and rigid geometric shapes, evoking the purity of Suprematism while allowing viewers to engage with abstract ideas in a tactile, spatial context. The inclusion of rust-like textures introduces a temporal dimension, suggesting the enduring relevance of avant-garde philosophy.

For those who value intellectually stimulating environments or seek to incorporate avant-garde influences into commercial or residential spaces, the installation by Maxim Kashin Architects offers a unique blend of historical reverence and modern execution.

Image Credit: Kablukova Inna